The Edmond Sun

Arts & Entertainment

December 19, 2012

Slate's definitive Christmas playlist

There are plenty of people who loathe Christmas music or tire of it quickly, and it can be easy to see why: Every year brings fruitless attempts to introduce a new song into the canon or put a new spin on a holiday classic, and that can be a drag. But what about that perfect rendition of the holiday standard you otherwise hate? Or that Christmas song that has many great versions, but you can't decide which one is the best?

Here at Slate, we've compiled a playlist of the definitive covers of Christmas standards, those songs that have been interpreted countless times, but have only one, true performance we can call the must-listen-to classic.

Sometimes, the traditional version of a Christmas song remains the best. First, there is the one that started it all, "White Christmas," as performed by crooner Bing Crosby. While there have been many notable covers, the original (along with the many versions recorded by Crosby) still stands the test of time. As Slate pop critic Jody Rosen puts it, "There weren't really any Christmas pop songs until Bing. He created the genre."

Likewise, Judy Garland's introduction of "Have Yourself a Merry Little Christmas" in the 1944 film "Meet Me in St. Louis" remains the quintessential version of the tune, both for her subdued yet powerful performance and the underlying tinge of sadness that brings some variety to the normally cheerful Christmas canon. (The song's original lyrics were "Until then we'll have to muddle through somehow" supplanted by the awkward "Hang a shining star upon the highest bough" more than a decade later.)

Nat King Cole's "The Christmas Song" still holds up as the best, despite being performed by artists as varied and talented as Bob Dylan, the Carpenters and Aretha Franklin — his simple phrasing and charming musical accompaniment continue to make his version a classic.

According to Slate writer Katie Kilkenny, Michael Bublé's 2011 "I'll Be Home for Christmas" is definitive because of its classic interpretation with only a slight, jazzy update. "The bass guitar, piano and cymbal in the back of the song adds a nice mellow accompaniment to Bublé's always-reliable vocals," she says, "recalling old-fashioned live singers at holiday parties."

And forget Dean Martin's popular turn with "Baby, It's Cold Outside" — Slate writer Jennifer Lai prefers the "flirtatiousness and coquettishness" of Johnny Mercer and Margaret Whiting's 1949 duet. "The singers are obviously teasing each other and having fun with singing," she says, "while Martin's version makes him sound like he's had quite a few too many to drink (and isn't really into his female companion)."

There are plenty of Christmas recordings that take on a hipper vibe than originally intended, and sometimes, we're all the better for them. The Jackson 5's "Up on the Housetop" turns the benign children's song into a funky romp with blaring horns, a list of the toys that each boy desires (Tito wants a new guitar with a guarantee: "That it won't play out of key!"), and an energetic breakdown referencing "'Twas the Night Before Christmas."

Peggy Lee's "Winter Wonderland" takes a swinging, jazzy turn with her signature sultry interpretation that enhances the typically sweet and straightforward vocalization other artists prefer.

Meanwhile, there are those songs that we wouldn't consider classic in their own right, except for one particular cover that reimagines and completely elevates the music. The Ronettes' rendition of "I Saw Mommy Kissing Santa Claus" — a usually grating song — benefits from the girl group's distinctive, playful phrasing and the uptempo "wall of sound" musical accompaniment.

And Lou Rawls does "Santa Claus Is Coming to Town" better than anyone else we've ever heard. Says Slate senior editor Dan Kois, "The song, as written, is a humorless tract about behaving at Christmastime. Sure, that's a worthy message, as any parent would agree — but Rawls' version is funky and funny in just the right balance, transforming the song's threat into a joyful promise."

For our complete list of definitive Christmas song covers, see our Spotify playlist below.

"White Christmas," Bing Crosby from "White Christmas" (1995)

"Have Yourself a Merry Little Christmas," Judy Garland from "Meet Me in St. Louis" (1995)

"The Christmas Song," Nat King Cole from "The Christmas Song" (2009)

"I'll be Home for Christmas," Michael Bublé from "Christmas" (2011)

"Baby It's Cold Outside," Johnny Mercer and Margaret Whiting from "Johnny Mercer: Collector's Series" (1989)

"Up On the Housetop," The Jackson 5 from "Ultimate Christmas Collection" (2009)

"Winter Wonderland," Peggy Lee from "Ultra-Lounge: Christmas Cocktails, Part One" (1996)

"I Saw Mommy Kissing Santa Claus," The Ronettes from "A Christmas Gift to You from Phil Spector" (2009)

"Santa Claus is Coming to Town," Lou Rawls from "Merry Christmas, Baby" (2006)

"Merry Christmas, Baby," Otis Redding from "Merry Christmas Baby / White Christmas" (1968)

"Blue Christmas," Elvis Presley from "Elvis' Christmas Album" (1985)

"Santa Baby," Eartha Kitt from "The Very Best of Eartha Kitt" (2007)

"Sleigh Ride," Ella Fitzgerald from "Ella Wishes You a Swinging Christmas" (2002)

"This Christmas," Donny Hathaway from "A Donny Hathaway Collection" (1990)

"All I Want for Christmas is You," Mariah Carey from "Merry Christmas" (1994)

"The Christmas Waltz," Frank Sinatra from "A Jolly Christmas from Frank Sinatra" (2011)

"Rockin' Around the Christmas Tree," Brenda Lee from "Rockin' Little Christmas" (2011)

"Silent Night,"* the Temptations from "A Motown Christmas" (1999)

"Happy Xmas (War is Over)," John Lennon from "Now That's What I Call Christmas!" (2001)

"Let it Snow! Let it Snow! Let it Snow!" Frank Sinatra from "Christmas Songs by Sinatra" (2007)

---

http://tinyurl.com/ctrne2o

Text Only
Arts & Entertainment
  • UCO School of Music alumni return for reunion performance

    The University of Central Oklahoma Jazz Lab will present a performance by the Aidan Carroll Quartet, a quartet comprised of Central alumni and emeritus faculty, at 8 p.m. May 29.           
    Since graduating from Central in 2005, jazz bassist and featured artist Carroll has toured the world as a musician. With his current home base in New York, Carroll has performed at national and international music festivals such as Bonnaroo and the Amazonas Jazz Festival.    

    May 24, 2013

  • Organizers postpone Jazz and Blues Festival

    The 25th annual Edmond Jazz and Blues Festival scheduled for this weekend at Stephenson Park has been postponed due to the prospect of inclement weather and the ongoing recovery efforts of last Monday’s tornadoes.
    Mark Neighbors, chairman of the Edmond Jazz and Blues Festival, said a final decision was made Thursday to postpone the festival until a later date this summer.

    May 24, 2013

  • Travel 1 Don’t miss out on Williams, Ariz.

    You know how some days you’re really at your best and then you hit one where your efforts just don’t measure up. I had one of those. Jack and I were on a nine-day driving tour of Arizona, getting close to the end of the trip.

    May 17, 2013 3 Photos

  • Tim Tingle.jpg Best of Books observes 94th annual Children’s Book Week

    Internationally renowned Choctaw storyteller and author Tim Tingle will perform and sign copies of his new children’s novel, “How I Became A Ghost,” a story about the Choctaw Trail of Tears told by a young boy, Saturday from 11 a.m. to noon at Best of Books, 1313 E. Danforth Road, Kickingbird Square.
    Children will take home free Children’s Book Week posters and totes. This year’s poster artist is Brian Selznick, the 2008 Caldecott Medal winner for The Invention of Hugo Cabret. And children also will get one of the first peeks in the country at Tingle’s new book for children.

    May 16, 2013 1 Photo

  • ACM ACM@UCO signs exchange program agreement with ACM

    The Academy of Contemporary Music at the University of Central Oklahoma (ACM@UCO) recently signed an exchange program agreement with the original ACM in Guildford, England. The agreement will allow Central ACM students with global opportunities to study with contemporary music experts at the ACM in Guildford.  

    May 16, 2013 1 Photo

  • FitzOsbornes 5-14 Good Reads

    NOTE: Email dpeery@edmondsun.com to have your name entered into a drawing for the following titles: “The FitzOsbornes at War” and/or “Pretty Penny Makes Ends Meet” and/or “Spirit’s Chosen.” Deadline is 10 a.m. May 20. Winner will be notified by return email. Winner is responsible for picking up the book at The Edmond Sun at 123 S. Broadway. All entrants must be 18 or older to win.

    May 13, 2013 5 Photos

  • Page Tudyk Locals join Dallas film shoot

    University of Central Oklahoma graduate Page Tudyk recently landed the lead supporting actress role in the film “I,” due to start filming this summer in Edmond and the Dallas/Fort Worth area.

    May 11, 2013 1 Photo

  • Mumford & Sons event needs volunteer force

    The Pollard Theatre Company is sponsoring the volunteer pool for the Mumford & Sons Guthrie Stopover. Organizers are seeking 250 volunteers to work three, five-hour shifts between Thursday-Sunday the weekend of the festival Sept. 5-8.

    May 11, 2013

  • Artist INC program to present workshop

    The Artist INC program has identified the common behaviors of successful artist entrepreneurs. In their ”What Works/What Doesn’t?” workshop they’ll share those behaviors and leave artists ready to apply them to their own art practice. The workshop includes discussion of portfolio, careers, goal setting and planning, communications strategy and financial planning.

    May 6, 2013

  • Bookcase 5-7 Good Reads

    NOTE: Email dpeery@edmondsun.com to have your name entered into a drawing for “Behind the Bookcase.” Deadline is 10 a.m. May 13. Winner will be notified by return email. Winner is responsible for picking up the book at The Edmond Sun at 123 S. Broadway. All entrants must be 18 or older to win.

    May 6, 2013 1 Photo